The album playback is scheduled to begin at 8 p.m., but anyone who has been following Kanye’s career knows it was never going to start on time. Moments later, the rest of the crowd does, too, and they’re greeted with a round of applause. I see Kim Kardashian and all four of her and Kanye’s children out of the corner of my eye. A young fan in front of me pulls his new long-sleeve shirt over a homemade “Kanye for President” hoodie.
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“We haven’t done this before,” a security guard tells me as she frantically calls her boss and tries to figure out where the press section is.Īs I finally make my way to my seat, I walk past people lining up to buy Mercedes Donda merch commemorating the event. And, of course, a Kanye album party is anything but an ordinary show. The Mercedes-Benz Stadium staff understandably needs to shake off some rust as we all try to remember what to do when tens of thousands of people try to enter the same building at once. As major live music events slowly make their return across the country, the Donda listening session represents one of the first stadium shows of the year. Kanye isn’t the only one reemerging in the world. It represents Kanye’s return to the public eye after a year marked by a divorce with Kim Kardashian. Tonight is about more than just a listening session, though. He’s here on this Thursday evening in late July to play his 10th studio album to the world for the first time, and he’s doing it in front of tens of thousands of people (while millions watch at home on an Apple Music stream).
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And as I soon find out, Kanye is just as eager to see the people of Atlanta. I get out of the car and immediately walk past an SUV full of people blasting “Blood On the Leaves.”Ītlanta is ready for Kanye tonight-to say the least. I look up just as her car skids out in front of an orange barricade, and a security guard informs us we can’t drive any farther. “I love Kanye!” she said, explaining, “His music is OK, but I just really like his demeanor. Moments earlier, she shared her opinions about Kanye with me as we made our way to his Donda album listening event. We’re flying down Andrew Young International Blvd in her old Nissan Sentra, and just as we get within sight of Mercedes-Benz Stadium, she takes a sharp turn and proudly yells to no one in particular: “Kanye West in the ATL! It’s really going down tonight!”
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in Atlanta, and my Lyft driver has already lost her composure. You can tell Mike Dean has his work cut out on “Keep My Spirit Alive” when it comes to adjusting Kanye’s vocals. One standout, “reaching for the stars like Buzz Lightyear,” was particularly memorable.
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There are a few peak-Kanye bars throughout. “Pure Souls” gets drums this time around, which is what fans have all asked for. “New Again” brings Graduation highlight “Flashing Lights” to mind. The new drums don’t resonate as well as they could on “Jonah” this time around, and Kanye invites Kid Cudi to add vocals onto “Remote,” but removed the distorted drums that made “Robocop” an enjoyable listen. The mix on “Junya” is vastly improved and is not as long. Kanye raps: “Every time I get the food, I just want the fries,” while Pusha boasts in biblical terms: “Got 12,000 acres of holy mountains.” Elsewhere on the updated album, the choir sample on “Praise God” has been cut. The first song finds Pusha T and Kanye West awake and aware of God. He will freak out if you wear the tiniest bit of white tonight. None of the performers have clear instructions on exactly what we are supposed to do,” one of the many dancers who wished to remain anonymous told me. It’s not going to be anything like the last show. “One of the producers on the album gave me a tip to come down and dance.